Novelist Samantha Shannon has been heralded by book insiders as "the next J.K. Rowling," and her debut, "The Bone Season," compared with "Harry Potter." But the unassuming 21-year-old, who recently graduated from Oxford, would rather you didn't compare her to one of her favorite authors.
"Every writer wants to be as beloved as J.K.," Shannon said. "But we don't need a 'new J.K.' because she is still writing and still amazing."
The publishing deal is the biggest similarity between the two writers: Six figures for seven books with Bloomsbury. But Shannon's adult novel, weaving in elements of fantasy and dystopia, is entirely different from the world of wizards and spells inhabited by Harry and his schoolmates.
In "The Bone Season," out this week, Shannon has built a stark world in 2059 London. The city is controlled by a security force named Scion. It has caused clairvoyants, like 19-year-old dreamwalker Paige Mahoney, to work in the criminal underworld because their talents are considered treasonous.
After being captured, Paige wakes up in an even more powerful city controlled by Rephaim, humanoid creatures who kidnap the different kinds of voyants and train them for their army.
Writing the novel between classes and a publishing internship, Shannon might sound like a tireless overachiever, and she is.
Shannon had written two books by age 19, inked a multi-book deal at 20 and is now published at age 21. But her journey wasn't an overnight success story.
Writer in the making
At 15 years old, Shannon was a precocious writer, putting down words before and after school for a "romantic sci-fi epic" called "Aurora."
"It followed an eighteen year-old female protagonist, who happens upon a wounded but devilishly-attractive alien and goes on a quest with him to find his eight lost companions" Shannon wrote on her blog.
She worked on the idea tirelessly, foregoing sleep to write. Her mother was "beside herself with worry," she remembered.
Shannon hand-delivered her manuscript to agencies all over London, but only rejection letters returned. Her passion for the idea died and her evenings held empty spaces. She picked up old writing projects and entered short story contests, but nothing could replace the fervor of working on a novel. The next step was following her passion for literature at Oxford.
Although Shannon had submitted "Aurora" to David Godwin Associates literary agency, only to have it rejected, she ended up interning there when she was 19. The girl who loved London found herself in the city's junction of Seven Dials and Covent Garden. A couple of nearby shops sold tarot cards and crystal balls.
"I had this daydream about a girl having the same day at work as me in Seven Dials, but she happened to be clairvoyant and the idea stuck in my head," Shannon said. "On my lunch breaks, I would plan out clairvoyant types."
By the end of the internship, Shannon had a new synopsis. She couldn't stop writing. Trying to fit a particular genre or audience never entered her mind. It became clear that "Aurora" was a practice novel, where she could identify her strengths and weaknesses. Now she could turn her gift for story building into a saga.
"I'm often daydreaming and it's because I've always liked the idea of there being something more than the normal world. So I wanted my readers to feel like there is a big world to explore, and I will help them into it."
A second chance
During the day, Shannon studied literature, film criticism and Emily Dickinson. Working on "The Bone Season" was "like an extracurricular activity, except more intense and personal."
Shannon showed the work to author Ali Smith, also in Oxford. Smith suggested she send it to an agent, and David Godwin once again entered the picture.
"I thought it was very well created," Godwin said. "The books aren't just elaborate stories that have no root in the world. That gives it much more authority."
Bloomsbury, like Godwin, tends to pursue a more literary list, eschewing fantasy novels, but they became immersed in a world they never could have imagined.
"There was this incredible instant visceral reaction to reading these pages and feeling like we were sucked into this world that's so real with these characters that jumped off the page and a narrative that just never stopped," Nancy Miller, Bloomsbury's U.S. editorial director, said.
"And she is the most down-to-earth person I've ever met. I keep wondering, where did this come from? How did she do this? I'm amazed at how young she is."
Term papers and novel drafts
Shannon's family didn't even know the book existed until she called to tell them about the deal with Bloomsbury.